I’ve always enjoyed playing fingerstyle guitar and have written a handful of tunes in the style. Many of these recordings were done when I only owned a cheap electric guitar, so I plan on going back and rerecording nearly everything with the Breedlove I purchased in 2010. Read the rest of this entry »
Medley of music used for All You Can Eat. The music aims to capture the extraordinarily outdated style and thinking of the film’s characters through 80s synth pop and spaghetti western dramatic music.
The over-the-top spaghetti western/80s glam metal and pop theme to the equally ridiculous film about a modern man with outdated fashion and delusional dreams of being a hot dog eating champion.
The website for Else is now up. We created the simple site to start drumming up some interest and to make finding new talent a bit simpler. The playlist shows the songs we’ve kept from the original 40 or so tracks. Take a listen at ElseTheBand.com »
A few years ago there was a competition to score the Halo Wars video game trailer. I didn’t enter at the time, but I decided to finally make some music for it anyway. Here’s my orchestral/electronic score rendered using EWQL Symphonic Gold, NI Kore Player, and NI Kontakt Player in Sonar 8.5
I founded Else in 2010 with the guitarist from Effigy and A Life Elided. We wrote and recorded nearly 40 tracks, eventually honing in on a really exciting style which combines ambient post-rock sounds, aggressive metal riffs, electronic influences, and extended chords. We are currently looking for more band members to complete the line up.
I really enjoy playing and extending the bass guitar, especially with big leaps, faster passages, and melodic playing. Here are some solo bass guitar pieces I’ve written and recorded over the years. Read the rest of this entry »
I never understood why the sostenuto pedal is used so little because I find it so fascinating. The first really neat use of this pedal which I encountered is in Schoenberg’s Drei Klavierstücke, op 11. In this piece, Schoenberg instructs the performer to silently depress a group of pitches, depress the sostenuto pedal, and then play loud interruptions with both hands, causing these opened strings to resonate. Read the rest of this entry »
This piece is my first attempt at writing for string quartet after years of experience playing in quartet settings. I decided to focus on ostinato and repeated material throughout the piece, hence the title. I created scales for each movement by using pitch sets separated by a major second, beginning with minor third sets for the first movement. Read the rest of this entry »